But they really should find and accept their niche - and it certainly is NOT in the advanced vector illustration business. Serif is still trying to sell as many copies they can, did you experience their aggressive sales people before the Affinity line? Flies on the phone. I certainly didn't suffer from a lack of features back then.Ģ0 years later somebody claims they are "building world leading professional creative apps" and we are having this discussion because they are not there yet and 20 years ago I would have said the same about Affinity Designer 1.7. Whatever I did it just was more fun and my workflow much faster in CorelDRAW. I used a lot of software, mostly Illustrator and CorelDRAW, but preferred CorelDRAW. I could pick software freely unless I had to continue on previous work made in fx Illustrator. PC's and Apple Macintoshes.I created a LOT of artwork, brochures, logos, posters etc. for a huge global healthcare company 20 years ago, especially in 2002. The 400 pages are full of ideas and inspiration, including many exercises for creating documents with Aldus Pagemaker, the leading desktop publishing program for I.B.M. The authors are Ronnie Shushan and Don Wright. One of the most useful and attractive books we have seen on desktop publishing and design is ''Desktop Publishing by Design,'' which costs $19.95 from Microsoft Press, (206) 882-8080. Many beginners have the urge to create circus posters when a clean and simple report will do. Giving so many powerful graphics tools to casual users can be dangerous, at least from an esthetic sense. Typestyler can work with PICT, Paint and EPS file formats, which means that it works with most major desktop publishing and graphics applications. Owners of Typestyler version 1.0 who call (800) 521-6263 and send proof of purchase will get a free upgrade to version 1.01. The ability to alter the shapes of Type One fonts with Typestyler, and to save those images in files that can be further manipulated with such powerful programs as Adobe Illustrator, will greatly enhance the appeal of the program among graphic designers. The program has extensive ''libraries'' of shapes and styles that can be used without modification, or they can be endlessly customized.īut in a surprise, Broderbund announced last week that version 1.01 of Typestyler, scheduled for delivery this month, will be able to use Type One fonts as well as Type Three. Professionals have long been able to create such special effects on the computer, but never with the ease, or at the cost of Typestyler. I'm not sure why we would want to do that, but it gives some indication of the simpler powers of the program. For example, we can type ''Sharkbait'' and shape the text like a fish, then give it a three-dimensional zoom effect, then place it on a star-shaped panel with a wave pattern. Panels can be virtually any shape or design. While Type Align works with text only, Typestyler also adds objects called panels, which can be used as backdrops for text. Text can be placed along paths and distorted, as with Type Align, but it can also be embellished with patterns, shades, fades, perspectives, sunbursts and many other tricks. This program is more useful for creating complex graphic designs, like fancy restaurant menus, company logotypes, magazine covers or commercial-quality signs using it to dress up a simple letter would be overkill. While Emerald City's Type Align lets the user distort and manipulate text in several relatively simple ways, Broderbund's Typestyler offers dozens of special effects that even professional graphic artists will find impressive. An even more powerful special effects program for Macintosh computers is Typestyler ($199.95) from Broderbund Software Inc., (415) 492-3200. It will work with Imagewriter, Laser Writer, Paintjet and Deskwriter printers, as well as with any laser printer using the Postscript language from Adobe Systems Inc. It works with Macs equipped with at least one megabyte of memory and a hard disk (or two 800-kilobyte disk drives). Type Align is a desk accessory, which means it can be summoned while the user is working with another program, typically a word processor, a desktop publishing or presentations program, or a graphics program.
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